Dear USC Class of 2020
By: Talia Walters ‘20
I’m not usually a sentimental person, but considering the current situation, I think it calls for a little bit of sentimentality and a short reflection of my 4 years at USC.
Literally Just Things To Do That Aren’t Worrying about Covid-19
By: Talia Walters ‘20
I’m the kind of person who can spend all 16 of my waking hours lying in bed and scrolling through news articles of the impending doom du jour. In fact, you can refer back to my previous social media detox post for proof – the whole thing with Iran almost drove me mad. This whole coronavirus thing is also driving me mad. But that kind of worrying and anxiety isn’t good for anyone especially not when you’re trapped in your house, so I’ve spent some of my quarantine time curating just a list of things to do and talk about that aren’t the coronavirus.
Best Apps for College Students
By: Talia Walters ‘20
I spend a lot of time on my phone. Like, probably an unhealthy amount of time on my phone. And while I’m not proud of that fact, in all honesty, my phone has probably been a surprising asset throughout my time in college. Not just with social media, like Snapchat and Spotify, but with other, lesser-known apps that I appreciate having and using in my everyday life. So, to justify the sheer amount of time I spend on my phone, here’s a list of the apps I’ve found most useful during my life in college.
The Life and Afterlife of Eurydice and Orpheus in Opera (Review)
By: Talia Walters ‘20
When I was in high school, the theater group put on a performance of Eurydice, and in the production, I played a stone. If you’ve never seen Sarah Ruhl’s telling of the Orpheus myth, then I’m sure that sounds just as exciting as playing a tree in your elementary school play, but I promise that the stones are characters with lines. It was probably my favorite show that I was in, so when I saw Sarah Ruhl was coming to a Visions and Voices event to talk about the world premiere of the new version of her show, I couldn’t say no. It wasn’t until after I reserved my tickets that my friend pointed out that it was in fact the “LA Opera,” and so the new version was an entirely different, operatic version of the show that I wouldn’t recognize. I have no knowledge of the opera or how to talk about operatic music, but I was still determined to go. So, here’s a review of “The Life and Afterlife of Eurydice (and Orpheus) in Opera” from someone who has never been to an opera before in her life.